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<section class="xmteditor" style="display:none;" data-tools="gulangu" data-label="powered by gulangu"></section><section style="line-height: 2;letter-spacing: 1.5px;padding-right: 8px;padding-left: 8px;font-size: 15px;font-family: Optima-Regular, PingFangTC-light;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="max-width: 100%;vertical-align: middle;display: inline-block;line-height: 0;box-sizing: border-box;"><img class="raw-image" data-ratio="0.6914063" src="http://mmbiz.qpic.cn/mmbiz_png/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7H8ibO7vVf9Xh7gpemgzF6Y3fibaYTNiaQD05LFz86Bib1O8k0YWnticXQMA/640?wx_fmt=png" data-type="png" data-w="1024" style="vertical-align: middle;box-sizing: border-box;"></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在我国乡村振兴战略持续深入实施的过程中，存在着侧重产业、轻视文化软环境系统，侧重近期建设、忽视过程与回溯等现象。文章通过剖析民族地区乡村文化属性及其演变导向，结合国家战略，指出文化振兴是民族地区乡村振兴的内核与可持续发展动力。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在此基础上，以民族地区乡村文化空间生产为文化振兴的核心切入点，以文化空间实践、文化空间表征及表征的文化空间为民族乡村文化振兴的实施过程与路径，结合西藏隆子县斗玉珞巴族乡村典型案例，阐述民族地区乡村文化振兴的过程，以期为民族地区乡村文化振兴行动提供一条特色鲜明的实施路径。</p></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="text-align: left;margin-right: 0%;margin-bottom: 30px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-right: 5px;padding-left: 50px;box-sizing: border-box;"><section style="margin: 10px 0% -55px;transform: translate3d(-50px, 0px, 0px);-webkit-transform: translate3d(-50px, 0px, 0px);-moz-transform: translate3d(-50px, 0px, 0px);-o-transform: translate3d(-50px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 70px;height: 80px;vertical-align: top;overflow: hidden;background-position: 50% 50%;background-repeat: no-repeat;background-size: contain;background-attachment: scroll;padding-left: 11px;background-image: url("http://mmbiz.qpic.cn/mmbiz_gif/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7FRwdMSeHugyMd6er2vmczicL7lSUGDMJc8FRl8JmrvcbgcF8Y2WKqDg/640?wx_fmt=gif");box-sizing: border-box;"><section style="margin-top: 25px;margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: justify;color: rgb(255, 255, 255);font-size: 17px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">01</strong></p></section></section></section></section><section style="transform: translate3d(-5px, 0px, 0px);margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-top: 3px;padding-bottom: 3px;border-width: 1px 1px 0px;border-radius: 0px;border-style: none none dashed;border-color: rgb(62, 62, 62);box-sizing: border-box;"><section style="text-align: justify;font-size: 16px;color: rgb(55, 80, 114);box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">民族地区乡村文化空间生产的理念建构</strong></p></section></section></section></section></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"><br  /></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（一）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">乡村建设重点转型：从乡村经济建设到乡村(文化)振兴</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;"><strong style="box-sizing: border-box;">自20世纪20～30年代开始，我国经历了3次乡村建设的高潮：</strong></span></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">第一次是20世纪20年代</strong>，以晏阳初、梁漱溟等知识精英发起<strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">“教育民众、复兴经济”</span></strong>为主题的乡村建设实验运动，希望通过启迪民众智慧，引进先进技术及文化思潮，改变农民的生存状态；</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">第二次是20世纪80年代改革开放初期，</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">以发展农村经济为核心，由政府推动实行家庭联产承包责任制。</span></strong>农民成为土地的使用者，劳动积极性得到提高，提高了农业生产水平。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">因此，第一次、第二次乡村建设运动的主要目标指向实质上是乡村经济建设。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="313" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7pc2icBokHNJ6Z3BUJ3lJl3CuKKWECYrsDKLZzrlhTWs8udo4GfJowJA/0?wx_fmt=jpeg" data-ratio="0.56171875" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7pc2icBokHNJ6Z3BUJ3lJl3CuKKWECYrsDKLZzrlhTWs8udo4GfJowJA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;"><br  /></span></strong></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">第三次是当前我国</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">以统筹城乡一体化、全面建设小康社会为目的的乡村振兴战略</span></strong>(从实质上看，其跨度涵盖了新农村建设、田园综合体建设、幸福美丽新村建设、传统村落保护和乡村旅游开发等内容)。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">通过一系列利于乡村经济社会发展的政策措施，如“工业反哺农业、城市支持农村”“两减免三补贴”、财政支农、农村土地流转及确权制度等，乡村土地及物质空间的权属正在发生着深刻的改变，政策及资本在乡村建设中发挥了主导作用，乡村经济社会发展处于重要的转型期。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">其间，文化振兴作为乡村振兴“五驾马车”之一被明确提出，对民族地区乡村而言，民族文化、乡村文化是其存在的内涵与实质，文化振兴理应成为乡村振兴的焦点。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">然而，文化的演变和发展往往与经济社会发展紧密关联，促使人们从文化空间生产的视角关注民族地区乡村文化的生产价值、发展变迁与关联效应。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（二）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">民族地区乡村文化空间生产的切入点：从全面振兴到文化振兴</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">2018年9月，中共中央、国务院印发的<strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">《乡村振兴战略规划(2018—2022年)》</span></strong>明确了乡村振兴的五大主题内容与路径：<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">产业振兴、人才振兴、文化振兴、生态振兴和组织振兴。</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">结合民族地区乡村的属性，本文通过剖析其内涵及逻辑关系后认为，五大路径可以解析为<strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">“一个目标、一个内核、三大保障”</span></strong>。</p></section><section style="margin-top: 10px;margin-bottom: 10px;text-align: center;box-sizing: border-box;" powered-by="gulangu"><section style="margin-bottom: -2.25em;box-sizing: border-box;"><section style="padding: 10px;background-color: rgb(242, 242, 242);box-sizing: border-box;"><section style="text-align: left;padding: 10px;box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="text-align: justify;box-sizing: border-box;"><span style="box-sizing: border-box;">其中，</span></strong><strong style="text-align: justify;box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“一个目标”</span></strong><strong style="text-align: justify;box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">是以实现乡村产业振兴为目标，通过产业振兴促进乡村经济全面发展，乡村经济发展将推动乡村社会发展；</span></strong><br  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;"></span></strong></p><p style="box-sizing: border-box;"><br  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“一个内核”</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">是指以乡村文化振兴为内核。民族地区乡村的文化底蕴悠久且独特、文化生态基础良好，是民族性、乡村性得以可持续发展的最重要内涵，通过民族地区乡村文化空间生产，发展乡村文化产业、旅游产业，使乡村具有持久的生命力和生产力；</span></strong></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“三大保障”</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">是指人才振兴是乡村可持续发展的人力资源与技术保障，生态振兴是乡村的自然生态环境保障，组织振兴是制度保障。</span></strong></p></section></section></section><section style="width: 2.25em;height: 2.25em;margin-left: auto;border-bottom: 5px solid rgb(171, 43, 43);border-right: 5px solid rgb(171, 43, 43);transform: rotate(0deg);-webkit-transform: rotate(0deg);-moz-transform: rotate(0deg);-o-transform: rotate(0deg);box-sizing: border-box;"></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">文化振兴是软实力、精神层面的建设活动，产业振兴是物质层面的建设活动，二者互相影响、互为促进。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">可见，通过文化振兴营造良好的乡村精神环境，对乡村人才的培养与吸引、生态环境的认识与保育、组织机构的完善健全起到重要的推动作用(图1)。因此，对于民族地区乡村振兴而言，以文化空间生产促进文化振兴为切入点，推动产业振兴，建立人才保障、生态保障、组织保障是行之有效的实施路径。<br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="387" data-backw="419" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nTtG3tAu7icsjWVIHsh5bQ7uI1wbTMOcCklOuJPc9Dq7ocns2mYv2qag/640?wx_fmt=png" data-ratio="0.9236277" src="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nTtG3tAu7icsjWVIHsh5bQ7uI1wbTMOcCklOuJPc9Dq7ocns2mYv2qag/640?wx_fmt=png" data-type="png" data-w="419" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（三）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">民族地区乡村文化空间生产要素内涵：空间、主体与生产方式</span></strong></p></section></section></section><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1)<span style="color: rgb(171, 43, 43);box-sizing: border-box;">空间属性演变：</span></strong><strong style="letter-spacing: 0px;box-sizing: border-box;">从边缘性到空间融入</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">从空间特征上看，对比一般地区乡村，<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">民族地区乡村的空间属性</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">具有典型的地域隔离性、边缘独立性特征，集“六区”、多维属性于一体。</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">随着我国以“十纵十横”为代表的现代综合交通运输体系建设深入推进及民族地区脱贫攻坚战略、乡村振兴战略的实施，信息化程度大幅度提高，民族地区乡村缩短了与中心城市、现代文明的时空距离。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">从空间区位分析，民族地区乡村逐步由空间地域隔离、边缘独立性走向与中心城市、现代文明的空间融入。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2)<span style="color: rgb(171, 43, 43);box-sizing: border-box;">主体属性演变：</span>从村民为主到多元组合</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">民族地区乡村既属于乡村的范畴，具有</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">我国乡村的共同特性，又具有独特的民族人文特性。</span></strong>因此，民族地区乡村兼具“民族共同体”与“乡村共同体”的共有特征，表现为民族共同体文化的历史性与民族性、乡村共同体文化的乡土性与地域性。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在漫长的民族地区乡村自组织发展过程中，乡村的主体为具有宗族和血缘关系的村民，是具有稳定的、整体性特征的乡村主人群体。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="372" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7r9Y2BaxZgm6KqiayY12uJCcqUE0uPJe7sA9XueBHTicBk2L0lMtGQCiaA/0?wx_fmt=jpeg" data-ratio="0.6671875" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7r9Y2BaxZgm6KqiayY12uJCcqUE0uPJe7sA9XueBHTicBk2L0lMtGQCiaA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">近年来，借助民族文化资源的开发和利用，民族旅游活动蓬勃开展，外地游客、文化旅游开发和研究团队纷纷进入，民族地区乡村的构成主体具有了多元复合性、动态性特征。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(3) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">生产方式演变：</span>从自组织到再生产</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在漫长的农耕社会制度下、民族乡村发展过程中，民族地区乡村文化形成了一个自组织的综合系统，是一种乡村社会文化基本的秩序建构方式，是建立在村民及村民群体“自主性”主导发展基础之上的文化系统，具有文化性和空间性两方面的显性特征。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">外来的文化、资本涌入民族地区乡村，促进了乡村文化空间的发展，民族地区乡村正在实践以“文化的再生产”实现乡村文化的发展变迁。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section></section></section><section style="text-align: left;margin-right: 0%;margin-bottom: 30px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-right: 5px;padding-left: 50px;box-sizing: border-box;"><section style="margin: 10px 0% -55px;transform: translate3d(-50px, 0px, 0px);-webkit-transform: translate3d(-50px, 0px, 0px);-moz-transform: translate3d(-50px, 0px, 0px);-o-transform: translate3d(-50px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 70px;height: 80px;vertical-align: top;overflow: hidden;background-position: 50% 50%;background-repeat: no-repeat;background-size: contain;background-attachment: scroll;padding-left: 11px;background-image: url("http://mmbiz.qpic.cn/mmbiz_gif/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7FRwdMSeHugyMd6er2vmczicL7lSUGDMJc8FRl8JmrvcbgcF8Y2WKqDg/640?wx_fmt=gif");box-sizing: border-box;"><section style="margin-top: 25px;margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: justify;color: rgb(255, 255, 255);font-size: 17px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">02</strong></p></section></section></section></section><section style="transform: translate3d(-5px, 0px, 0px);margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-top: 3px;padding-bottom: 3px;border-width: 1px 1px 0px;border-radius: 0px;border-style: none none dashed;border-color: rgb(62, 62, 62);box-sizing: border-box;"><section style="text-align: justify;font-size: 16px;color: rgb(55, 80, 114);box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">基于文化空间生产的乡村文化振兴研究框架</strong></p></section></section></section></section></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（一）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">现实问题与反思：民族地区乡村振兴的目标与路径</span></strong></p></section></section></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">现实的目标：</span>重视产业，轻视文化软环境系统</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">从目前蓬勃开展的县域乡村振兴战略规划、镇村级乡村振兴规划编制成果看，地方政府、参与投资的企业除关注乡村振兴的五要素齐全程度外，仍重点聚焦于产业类型的项目建设、基础设施的投入建设，延续了较为明显的物质空间规划建设思路。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在权力、资本交织于民族地区乡村空间的行动过程中，往往是民族文化让位于权力与资本的决策。而民族文化软环境的缺失、变异将会给民族地区乡村带来苦果。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2)<span style="color: rgb(171, 43, 43);box-sizing: border-box;"> 短视的路径：</span>重视近期建设，忽视过程与回溯</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">由于民族地区乡村振兴规划的决策层面—县、镇(乡)一级政府领导3～5年任期内注重近期建设规划及实施成效，由权力决策者、资本方和规划咨询机构共同提出了短视的规划路径，缺少对乡村建设发展进行全过程的追踪与回溯。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="314" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7F7gFZt7bOezoTOJup9pFqNEmQT9wKCVVwbldlNDOpkD2G1T6oEHvvA/0?wx_fmt=jpeg" data-ratio="0.5625" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7F7gFZt7bOezoTOJup9pFqNEmQT9wKCVVwbldlNDOpkD2G1T6oEHvvA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">由于村民参与的部分功能缺失，真正的乡村使用者往往无法反馈对乡村建设的意见，由此带来民族地区乡村可持续发展的指导缺失。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（二）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">切入点与路径：乡村文化空间生产的框架构成与辩证关系</span></strong></p></section></section></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1)空间生产与文化空间生产的耦合</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">布迪厄等人建构了文化生产的空间框架，明确了文化生产的空间场域关系；荣跃民将文化生产具体化，提出了文化生产的层次与对应的生产内容，从一定程度上指出了文化生产的“时间—空间”研究价值；周根红提出了空间的文化生产概念，将文化生产置于空间生产的研究领域范畴。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">可见，文化生产在一定的“时间—空间”框架内展开，(社会的)空间为文化生产提供了一个涵盖物质形态、社会形态和文化形态的综合性“场域”框架；文化生产以文化和资本为生产资料、生产对象，在生产方式、生产产品上具有典型的文化性特征，并以文化的生产方式(意义、符号或表现)实现文化空间的发展与演变；在文化生产与空间生产的关系上，体现了文化生产是空间的文化生产的耦合关系。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2)民族地区乡村文化空间生产的“三元”辩证关系与内涵</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">空间生产理论的核心理论体系是空间本体论<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“空间实践、空间的表征、表征的空间”</span></strong> 三元一体的社会理论框架，分别对应感知空间、构想空间和生活空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在民族地区乡村社会空间中，<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">文化空间</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">是众多空间类型中的一种兼具物质形态与非物质形态的独特空间类型</span></strong>，体现了乡村振兴战略中空间的文化生产与再生产，具有自身建构与循环建构的体系。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在民族地区乡村文化空间生产的理论建构与要素整合上，结合空间生产理论对“时间—空间”的辩证理解，以空间生产三元辩证的递升式关系为纽带，对应建立<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“民族地区乡村文化空间实践—民族地区乡村文化空间表征—民族地区乡村文化表征的空间”</span></strong>的三元递升关系(图2)，以此理论框架为依据，建立对乡村文化振兴战略下民族地区乡村文化空间生产的行动指导。</p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="321" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31ncRc4LFIwlJqiaeFiaajciadFqGTicaQib2Ip0VQoJKPG1X6qv6gfSp1nqLQ/640?wx_fmt=png" data-ratio="0.5746714" src="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31ncRc4LFIwlJqiaeFiaajciadFqGTicaQib2Ip0VQoJKPG1X6qv6gfSp1nqLQ/640?wx_fmt=png" data-type="png" data-w="837" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（三）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">现状及价值认知：民族地区乡村文化空间实践</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在“时间—空间”维度上，以时间为序列，民族地区乡村文化空间实践对应的是列菲弗尔提出的空间三元辩证法中的<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“空间实践”</span></strong>，空间类型是文化感知空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">其内涵是可以感知的文态及物态存在的文化空间；</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">其外延包括民族地区乡村文化价值认知与评估、物质与非物质文化遗产、乡村聚落及民居建筑景观、民族特色生产生活文化景观等文化景观遗存记录与考察，</span></strong>它是真实存在的，是下一步文化空间发展构想与建设行动的基础和依据。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（四）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">“过程—事件”：民族地区乡村文化空间表征</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">民族地区乡村文化空间表征对应的是列菲弗尔空间三元辩证法中的<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“空间的表征”</span></strong>，其对应的空间类型是文化构想空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">其内涵是一种概念化的文化空间构想、文态及物态化的空间建构；</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">其外延包括民族地区乡村文化生产空间表征制度、乡村文化结构重构、乡村文化场所空间建构、文化符号建构及其物化过程等。</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">民族地区乡村文化空间表征既是概念化的构想，又是构想实践的过程，具有历时性，是“过程—事件”的结合体，是民族地区乡村文化空间生产中重要的实践环节。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（五）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">回顾与展望：民族地区乡村文化表征的空间</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">民族地区乡村文化表征的空间对应的是列菲弗尔空间三元辩证法中的<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“表征的空间”</span></strong>，其对应的空间类型是文化生活空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">其内涵是一种体验式的文化空间；</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">其外延包括村民、村落带头人对村落文化空间的使用后反馈；</span></strong>面向未来的展望与下一次文化空间生产构想的回溯过程，民族地区乡村文化生活空间是空间的体验与回顾，是一种空间体验与使用后的反馈，同时也是下一时间序列开始后空间生产的另一个发端。</p></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section><section style="text-align: left;margin-right: 0%;margin-bottom: 30px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-right: 5px;padding-left: 50px;box-sizing: border-box;"><section style="margin: 10px 0% -55px;transform: translate3d(-50px, 0px, 0px);-webkit-transform: translate3d(-50px, 0px, 0px);-moz-transform: translate3d(-50px, 0px, 0px);-o-transform: translate3d(-50px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 70px;height: 80px;vertical-align: top;overflow: hidden;background-position: 50% 50%;background-repeat: no-repeat;background-size: contain;background-attachment: scroll;padding-left: 11px;background-image: url("http://mmbiz.qpic.cn/mmbiz_gif/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7FRwdMSeHugyMd6er2vmczicL7lSUGDMJc8FRl8JmrvcbgcF8Y2WKqDg/640?wx_fmt=gif");box-sizing: border-box;"><section style="margin-top: 25px;margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: justify;color: rgb(255, 255, 255);font-size: 17px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">03<br style="box-sizing: border-box;"  /></strong></p></section></section></section></section><section style="transform: translate3d(-5px, 0px, 0px);margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-top: 3px;padding-bottom: 3px;border-width: 1px 1px 0px;border-radius: 0px;border-style: none none dashed;border-color: rgb(62, 62, 62);box-sizing: border-box;"><section style="text-align: justify;font-size: 16px;color: rgb(55, 80, 114);box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">以文化空间生产推动乡村文化振兴：西藏隆子县斗玉村实践</strong></p></section></section></section></section></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（一）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">现状及价值认知：斗玉珞巴族民族乡村文化空间实践</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">1.概况</span></strong></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">隆子县是我国西藏重要的边境县之一，与印度有163km长的边境线，是维护国家主权和领土完整的战略重地、国家对外开放的重要门户。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">珞巴族、门巴族等是长期以来生活在我国西藏漫长边境线上人口较少的民族，其民族乡村聚落具有区位典型性、文化稀缺性等重要特征。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1)区位典型性。</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">隆子县斗玉珞巴民族乡斗玉村有3条边境通道，设置有一个公安边防派出所。珞巴族是典型的跨国民族，村民与境外珞巴族民众语言相通、风习相同，互有姻亲关系，相互之间具有血缘关系，民间交往及走动较为频繁。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">从区位关系看，斗玉村属边境地区，村民的生产生活状况直接关系到边境稳定和国家安全，其乡村发展则直接影响到民族团结、社会稳定、国土安全，是重要的国家安全屏障。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2)文化稀缺性。</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">斗玉珞巴族的文化稀缺性体现在独特性、原真性与濒危性。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="314" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU76B8Clr1UdUfIVWKXDLeEUIUIBvqq3uu0h3VicJY8nvpJCsCUvibpV9NA/0?wx_fmt=jpeg" data-ratio="0.5625" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU76B8Clr1UdUfIVWKXDLeEUIUIBvqq3uu0h3VicJY8nvpJCsCUvibpV9NA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">珞巴族属于我国人口较少民族之一，珞巴族文化具有较强的民族文化符号特征，是中华文化大家庭中重要的一个分支；珞巴族是游猎民族，有语言、没有文字，本民族文化消失现象严重；有关本族历史、传说的传承仅仅依靠一代一代的口口相传，在仅存的说唱老人去世之后，其历史文化的传承显得岌岌可危；在长期与藏族、汉族和门巴族等民族交融过程中，珞巴族的生活习俗受藏族文化影响最深，其文化的原真性正在逐渐被藏化，成为一种稀有的文化资源。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">2.现状非物质文化遗产与文化资源遗存</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在民族地区乡村发展过程中，民众创造了丰富的民族文化遗产，具有丰富的民族性与人文性；在空间的转换与建设过程中，留下了丰富的乡土性与地域性文化遗产。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">因此，这是一个在时空转换过程中民族性与人文性共存、乡土性与地域性共生的民族乡土文化记忆场所。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在非物质文化遗产方面，目前斗玉珞巴族乡(村)在非物质文化遗产方面已经获得各级政府立法保护的文化遗产项目类型有珞巴服饰、珞巴钢刀和珞巴刀舞。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在民族乡村文化资源遗存方面，基于对民族乡村文化资源价值的审慎认知，本文从族源产生、神话传说、生产习俗、生活习俗、民族信仰和民族节庆6个方面对斗玉村文化空间实践进行归类考察(表1)。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="650" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nCsAyrvPIknyZs2wYwiaoDpL27I2Y8YG1rYlDl7OJXn0elic1bjWozpWg/640?wx_fmt=png" data-ratio="1.1652021" src="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nCsAyrvPIknyZs2wYwiaoDpL27I2Y8YG1rYlDl7OJXn0elic1bjWozpWg/640?wx_fmt=png" data-type="png" data-w="569" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（二）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">“过程—事件”：乡村振兴视角下斗玉珞巴族民族乡村文化空间表征</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">斗玉村的乡村振兴行动目标导向是发展民族文化旅游，切入点是珞巴族民族文化的保护和开发利用。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">旅游活动的文化属性决定了旅游地本质上是为旅游者提供一个文化空间，在民族旅游开发导向下，从文化空间的构成层次及内容组成看，将民族旅游地文化空间建构分为文化空间表征制度建构、文化结构建构和文化场所空间建构3个方面。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">1.文化空间表征制度建构：</span></strong></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">从单一维度走向“1+N”多维度</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">斗玉珞巴族村的发展获得了各方力量的支持，形成了多维度的文化表征制度。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在“自上而下”方式主导的斗玉珞巴族村生态文明小康示范村建设过程中，<strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">形成了</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“1+N”</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">多维度的文化空间表征制度。</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">其中，<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“1”</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">是指</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">斗玉村村民(包括斗玉村的珞巴族、藏族村民)，村民是乡村真正的主人，也是乡村的使用者和管理者，乡村的所有活动必须以村民为中心展开，征集村民的意见，从村民的角度进行近期和长远思考；</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“N”</span></strong><span style="color: rgb(0, 0, 0);"><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">是指</span></strong></span><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">由当地各级政府代表“官方的制度”，以技术官员为代言人所形成的“公共政策维”、由斗玉乡政府和斗玉村组织共同形成的“执行维”(具体完成斗玉村乡村建设的实施程序组织)、由文化研究团队和规划设计团队等专业技术团队提供技术支撑所形成的“文化维、空间维”、由工程施工公司参与项目实施的“技术维、利益维”等共同组成了多维空间表征制度</span></strong>(图3)。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="332" data-backw="407" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nkhFlKwSZ0HFhsjBVhlKlfIdErqxKCA1PicvLSwFKtQZqPdSMkL4OLbA/640?wx_fmt=png" data-ratio="0.8157248" src="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nkhFlKwSZ0HFhsjBVhlKlfIdErqxKCA1PicvLSwFKtQZqPdSMkL4OLbA/640?wx_fmt=png" data-type="png" data-w="407" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">2.文化结构建构</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: left;letter-spacing: 0px;color: rgb(62, 62, 62);box-sizing: border-box;"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">(1)<span style="color: rgb(171, 43, 43);box-sizing: border-box;"> 乡村文化结构重构：</span>从功能复合走向功能明确融合。</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在村域文化结构建构中，整合原斗玉村碎片化的文化空间元素，采用结构主义观点，以文化为核心素材整合乡村物质文化、非物质文化类型空间；通过整合原生产生活遗址(追巴)空间、高原特色农产品基地，形成以珞巴原乡聚落文化组团为核心，以301 县道为空间联系纽带，以历史文化组团(珞巴族先民遗址文化空间)、高原特色农产品生产组团(高原特色农牧产业生产文化空间)的“<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">三组团一轴线”</span></strong>的村域一体化空间结构发展模式；</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">通过界定各组团的主题定位及功能定位，划分明确的民族文化旅游发展功能空间，实现同类型功能的有效聚集，发挥其聚集效应；通过功能空间的有机拓展，逐步增大聚落的容量，提升其发展影响力。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">其中，“三组团一轴线”的文化及功能定位如下：</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;"><br  /></span></strong></p></section><section style="margin-top: 10px;margin-bottom: 10px;text-align: center;box-sizing: border-box;" powered-by="gulangu"><section style="margin-bottom: -2.25em;box-sizing: border-box;"><section style="padding: 10px;background-color: rgb(242, 242, 242);box-sizing: border-box;"><section style="text-align: left;padding: 10px;box-sizing: border-box;" powered-by="gulangu"><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">①</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">历史文化组团</span></strong>—以珞巴族遗迹遗存、生产生活建筑群的原址原貌保护为核心，以生态博物馆的方式保留好原真性、完整性的珞巴族生产生活场景，既为未来考古研究、民族文化研究保留真实的场景，又为远期斗玉村发展边境旅游、民族旅游和边贸旅游等文化旅游产业开发预留空间。</p><p style="box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">②</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">聚居文化组团</span></strong>—以现状聚落为基础、以“文态+生态+业态+形态”四态合一为手段，利用珞巴族文化形象与品牌、结合民族文化符号塑造，打造“珞巴原乡”聚落，重塑传承珞巴族祖先记忆和原生态文化的人文生态环境。</p><p style="box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">③</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">生产文化组团</span></strong>—在有限的、可利用的土地上，通过对高原特色农副产业培育、中药材种植等产业发展类型的精挑细选，进行土地的高效利用与开发，提升土地的附加值。</p><p style="box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">④</span></strong><strong style="box-sizing: border-box;"><span style="box-sizing: border-box;">文化串联轴线</span></strong>—依托301县道，使三组团实现交通上的有机联系，因为交通的联系将带来人流、物流和信息流的畅通，将斗玉村文化节点融入隆子县、山南市，为其提供便利的基础设施条件和文化传播通道(图4)。</p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: justify;white-space: normal;box-sizing: border-box;"><img class="" data-backh="359" data-backw="445" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31n1ib5Zrc5EiaicVukYozkGKIxWjxmX9KQTQLkDI1C41BZEEf1taH53316g/640?wx_fmt=png" data-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7F0KWN5uHOD85FqdwvN0gribd9IEJR29lHgnNBjKYOOgrl5n0dxLZXrQ/0?wx_fmt=jpeg" data-ratio="0.8067416" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7F0KWN5uHOD85FqdwvN0gribd9IEJR29lHgnNBjKYOOgrl5n0dxLZXrQ/640?wx_fmt=jpeg" data-type="jpeg" data-w="445" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p></section></section></section><section style="width: 2.25em;height: 2.25em;margin-left: auto;border-bottom: 5px solid rgb(171, 43, 43);border-right: 5px solid rgb(171, 43, 43);transform: rotate(0deg);-webkit-transform: rotate(0deg);-moz-transform: rotate(0deg);-o-transform: rotate(0deg);box-sizing: border-box;"></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">聚居组团文化结构重构：</span>从均质化走向结构化</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在聚居组团由自组织发展走向“被规划”的民族地区乡村聚落文化空间再生产的过程中，<strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">以乡村经济、社会、文化发展为导向是现实的选择。</span></strong>原聚居组团内部是自组织的发展，以民居与民居之间形成的巷道式空间串联较为均质化的聚居空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在乡村振兴、民族旅游开发导向下，斗玉村聚居空间的类型丰富，如民族文化形象展示空间既是针对游客的形象空间，又是村民日常使用的公共空间，必然要求以广场形态空间来形成聚集效应和展示效果；</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">民族文化走廊则是带状空间，具有引导性和线性展示效果；民族手工艺品生产制作空间既需要专人进行技术指导，又要适应民族旅游纪念品、手工艺品、商品等旅游购物的需求；“前店后厂”“现场制作生产销售”等面向游客市场化的生产制作展销模式，必然又需要民族手工艺品集中展示空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">因此，从文化空间再生产角度出发，斗玉村聚居组团结构模式形成了两种基本结构关系：<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">总分关系</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">( 民族文化形象广场—民族文化商业街—村民院落)</span></strong>、<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">并列关系</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">(村巷—院落/院落)</span></strong>(图5)。<br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="356" data-backw="525" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nD7RpP2oJgFPfaV7VkN9APbSmpnReaySUpnzOQISxaQIW0B7Cum3mgw/640?wx_fmt=png" data-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7CmzEy8tGiaqk8zcC90CDicp6Asf0zpWjbEP3dsNYOHbvQohuRyHic288w/0?wx_fmt=jpeg" data-ratio="0.6780952" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7CmzEy8tGiaqk8zcC90CDicp6Asf0zpWjbEP3dsNYOHbvQohuRyHic288w/640?wx_fmt=jpeg" data-type="jpeg" data-w="525" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">3.文化场所空间建构：</span></strong></p><p style="text-align: center;white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(255, 255, 255);background-color: rgb(171, 43, 43);box-sizing: border-box;">复合型民族乡村文化旅游空间涌现</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">通过呼应事物本体的“点、线、面”的构成要素，对斗玉村民族文化记忆空间与公共空间进行场所系统建构，以<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“文化域—文化链—文化核”</span></strong>的文化空间结构模式形成斗玉村民族乡村文化场所空间的整体性与层次性(图6)。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;"><img class="" data-backh="345" data-backw="322" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nibLEGkpbe1j9CMzdEbLI0GCHWQ2c2SeNCaZITJAB4xwo98HXfY3QvFQ/640?wx_fmt=png" data-ratio="1.0714286" src="http://mmbiz.qpic.cn/mmbiz_png/j8bTq15u0mgEIrWHalsjTBNUF4jJs31nibLEGkpbe1j9CMzdEbLI0GCHWQ2c2SeNCaZITJAB4xwo98HXfY3QvFQ/640?wx_fmt=png" data-type="png" data-w="322" style="box-sizing: border-box;font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif;font-size: 16px;letter-spacing: 0.544px;text-align: center;white-space: normal;background-color: rgb(255, 255, 255);vertical-align: middle;word-wrap: break-word !important;width: 100%;visibility: visible !important;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1)<span style="color: rgb(171, 43, 43);box-sizing: border-box;">村落中心空间：</span>文化形象核</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">现状的斗玉珞巴族村落公共空间，即村民交往的主要场所的社会生活特征是人与自然、人与神域的交往较多，如村民对大树的崇拜，对树木的保护意识强烈，对水域的场所敬重；人与人的日常交往场所主要在村落的道路交叉口。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">村民需要建立广场形态的文化形象核作为珞巴族民众的自我展示场所、珞巴族文化的展示场所，使其成为民族文化传承和发展的必要载体。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">广场形态的文化形象核功能包括斗玉村民族文化形象展示场所、村民日常活动聚集场所、民族文化集中展示场所、游客参与民族文化活动体验的场所等功能，其概念构想是技术官员、规划师和村民共同提出的。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">规划以象征珞巴族男女舞蹈的阳刚与柔美这两种代表珞巴族文化符号的元素为原型，对广场文化空间进行“解码”与“重构”，以乡村公共性建筑为空间围合体(包括村委会、卫生室)，提供村民日常所需的公共服务功能，提高广场的空间利用率，通过“广场+文化景观”的空间模式，以文化景观塑造其形象特征，增强村民对广场文化符号的认同。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="419" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7SPAYMv5ZxK5U4cODBib8KbXAVecSwtj0GqXc3lm2ZIHibngcibicWoOnLg/0?wx_fmt=jpeg" data-ratio="0.75" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7SPAYMv5ZxK5U4cODBib8KbXAVecSwtj0GqXc3lm2ZIHibngcibicWoOnLg/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(2)</strong><span style="color: rgb(171, 43, 43);box-sizing: border-box;"><strong style="letter-spacing: 0px;box-sizing: border-box;">村落入口</strong><strong style="letter-spacing: 0px;box-sizing: border-box;">：</strong></span><strong style="letter-spacing: 0px;box-sizing: border-box;">藤网桥与珞巴弓箭的文化空间记忆</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">就空间的意象性而言，村落入口是人们对乡村边界的一个重要的空间场所界定。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">对村民而言，村落入口是乡村整体印象在节点上的一个缩影，是最能唤起乡村记忆的一个场所，具有乡土情结的场所意义。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">因此，规划师在空间节点的建构中协同技术官员提出以斗玉村进出村口的桥梁、村落旁空地作为村落入口核的共同构想。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">规划师提出的<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">“节点空间界定+文化景观要素”</span></strong>构想与技术官员构建“斗玉村民族乡村文化IP”的想法不谋而合，都提出对斗玉村入口桥梁进行改造、对村落入口空地进行利用，营造斗玉村村民对藤网桥的文化空间记忆，以丛林狩猎的重要工具—珞巴弓箭作为对珞巴族先民生产生活的场景记忆，共同建构斗玉村的村落入口文化核。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(3) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">村巷空间：</span>文化链型乡村文化空间模式及塑造。</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">文化链型空间模式是从线性空间中延伸出来的空间模式，既有线性空间的通过式功能，又强调节点空间的停驻功能。文化链型空间能够将这些丰富的文化空间进行串联，构成网络状的文化空间系统。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="372" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU76USEF4NmiaoP1tvAzY2AR6gN3SJCOBPMfLkHIdBXDgPuYhBNoPSb29Q/0?wx_fmt=jpeg" data-ratio="0.66640625" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU76USEF4NmiaoP1tvAzY2AR6gN3SJCOBPMfLkHIdBXDgPuYhBNoPSb29Q/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">其方式有：以路灯为文化承载，按照珞巴族先民结绳记事的方式对路灯造型进行改造，并植入珞巴族历史文化，唤起人们对珞巴族记数方式的记忆；将村民堆放柴薪的方式运用于围墙景观改造中，对夯土围墙与柴薪木桩围墙进行美化改造，并将村民的生活性元素融于乡村文化景观塑造中，增强了文化体验感；通过在民居外墙上附着珞巴族传统民居中的竹编，形成外墙色彩、质感的变化，同时辅以珞巴族文化图腾，使原本笔直、生硬的外墙面变得生动而具有文化承载。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">由此，通过空间塑造，使线性空间变成具有文化承载的链状空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="letter-spacing: 0px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(4)<span style="color: rgb(171, 43, 43);box-sizing: border-box;"> 民居空间：</span>从单一功能向多功能融合</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在民居建筑层数以两层为主的基础上，围绕村民的产业发展构想、空间构想，规划师从空间功能出发提出了空间生产的需求，建筑师结合未来的生产生活功能转化的需求进行功能重组。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">规划结合院落空间整合的需求，将原来的院落拟作为珞巴族民族手工艺品生产展示空间；增设过厅，作为村民内部的生产生活展示空间；将仓库、厨房、厕所和杂物间等辅助性功能空间整合到居住空间中；火塘被作为单独的精神空间予以保留，划分为一个独立单元，成为家庭的内部私密空间，但火塘的位置发生了变化，不再居于整个住宅空间的中心；住宅的一层以村民自己使用为主，二层考虑到以后发展旅游接待住宿功能，作为客房空间的储备；为体现旅游接待服务的舒适度，将原来位于室外的楼梯间移至室内。<br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">旅游接待的需求促进民居住宅内部空间的文化再生产。火塘原为珞巴族民居空间的物理中心，也是家庭吃饭、坐卧和休憩的生活中心，更是开展祈福消灾等活动的民俗文化活动中心。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="313" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7pc2icBokHNJ6Z3BUJ3lJl3CuKKWECYrsDKLZzrlhTWs8udo4GfJowJA/0?wx_fmt=jpeg" data-cropselx1="0" data-cropselx2="558" data-cropsely1="0" data-cropsely2="313" data-ratio="0.6671875" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7sicWqneGIxHhTXAwF2TJeb7J4vD4R33PJHfm6S9tic987Ab9DfDcCqicA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 558px;height: 372px;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">但在乡村空间生产过程中，来自资本的诱惑与力量战胜了传统文化宗教空间的力量，原来的珞巴族民众日常的精神空间(文化空间)逐步让位于家庭作坊、旅游服务接待(客房、小商店和小餐饮等) 的功能性生产空间，以发展旅游服务类经济为导向的生产生活需求占据村民日常生活的主导地位。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin: 10px 0% 20px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 100%;vertical-align: top;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 7px;margin-left: 0%;text-align: left;line-height: 10px;transform: translate3d(7px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="width: 0px;border-top: 10px solid rgb(255, 202, 0);display: inline-block;vertical-align: top;border-left: 6px solid transparent !important;border-right: 6px solid transparent !important;box-sizing: border-box;"></section></section><section style="text-align: left;font-size: 16px;color: rgb(2, 52, 119);box-sizing: border-box;" powered-by="gulangu"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">（三）<span style="color: rgb(62, 62, 62);box-sizing: border-box;">回顾与展望：斗玉珞巴族民族乡村文化表征的空间</span></strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">以民族旅游业开发为目标导向、以民族文化保护和传承为目的的乡村文化空间生产、乡村文化振兴建设成果受到了大众的广泛关注与认同，接踵而来的荣誉既是对珞巴族民族文化保护与传承、利用的关怀，又是对斗玉村在本轮乡村振兴中对文化振兴转化成果的高度认可，为斗玉村民族旅游业开发提供了坚实的社会、经济、文化基础。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">例如，2017年3月，斗玉珞巴族民族乡斗玉村等全国717个村寨被命名为全国第二批“中国少数民族特色村寨”并予以挂牌；2017年9月，斗玉村被列为2017年全国特色民俗村；2017年11月，斗玉村被中央文明委评为第五届全国文明村镇。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="text-align: left;margin-right: 0%;margin-bottom: 30px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-right: 5px;padding-left: 50px;box-sizing: border-box;"><section style="margin: 10px 0% -55px;transform: translate3d(-50px, 0px, 0px);-webkit-transform: translate3d(-50px, 0px, 0px);-moz-transform: translate3d(-50px, 0px, 0px);-o-transform: translate3d(-50px, 0px, 0px);box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;width: 70px;height: 80px;vertical-align: top;overflow: hidden;background-position: 50% 50%;background-repeat: no-repeat;background-size: contain;background-attachment: scroll;padding-left: 11px;background-image: url("http://mmbiz.qpic.cn/mmbiz_gif/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7FRwdMSeHugyMd6er2vmczicL7lSUGDMJc8FRl8JmrvcbgcF8Y2WKqDg/640?wx_fmt=gif");box-sizing: border-box;"><section style="margin-top: 25px;margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: justify;color: rgb(255, 255, 255);font-size: 17px;box-sizing: border-box;"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">04</strong></p></section></section></section></section><section style="transform: translate3d(-5px, 0px, 0px);margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;min-width: 10%;max-width: 100%;vertical-align: top;padding-top: 3px;padding-bottom: 3px;border-width: 1px 1px 0px;border-radius: 0px;border-style: none none dashed;border-color: rgb(62, 62, 62);box-sizing: border-box;"><section style="text-align: justify;color: rgb(55, 80, 114);box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">结语</strong></p></section></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">在蓬勃开展的乡村振兴运动中，只有对民族地区乡村制定“一村一策”措施，保护和开发利用民族地区乡村的核心文化资源，方能形成“一村一品”“一村一景”。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">回顾斗玉村以民族乡村文化空间生产为路径、以民族文化振兴为内核的乡村振兴实践过程，本文认为，<strong style="color: rgb(62, 62, 62);font-family: Optima-Regular, PingFangTC-light;font-size: 15px;letter-spacing: 1.5px;white-space: normal;"><span style="color: rgb(171, 43, 43);">民族地区乡村振兴以文化振兴为核心点</span></strong><strong style="color: rgb(62, 62, 62);font-family: Optima-Regular, PingFangTC-light;font-size: 15px;letter-spacing: 1.5px;white-space: normal;">，应关注</strong><strong style="color: rgb(62, 62, 62);font-family: Optima-Regular, PingFangTC-light;font-size: 15px;letter-spacing: 1.5px;white-space: normal;"><span style="color: rgb(55, 80, 114);">文化自觉、文化生态空间开放性集体拥有制度、差异化空间</span></strong><strong style="color: rgb(62, 62, 62);font-family: Optima-Regular, PingFangTC-light;font-size: 15px;letter-spacing: 1.5px;white-space: normal;">三大要点。</strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(1) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">文化自觉：</span>以民族文化研究为原点</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">费孝通建构了基于文化自觉思想的社会学方法论，<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">主要有3个层次：</span></strong><strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">发现社会、深入农村和超越乡土。</span></strong></p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">发现社会</span></strong>是对文化根基的寻找过程，是文化自觉的基础；<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">深入农村</span></strong>是文化求“真”的过程，是社会学研究的工作态度；<strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">超越乡土</span></strong>是对文化空间发展趋势和规律的掌握及发展引导。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="text-align: center;"><img class="rich_pages" data-backh="348" data-backw="558" data-before-oversubscription-url="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7poXdiansnDT7sEzjT815ZFFhXgcROniaeH0iaKNyIkRYibLobHdQqhUicSA/0?wx_fmt=jpeg" data-ratio="0.6234375" data-s="300,640" src="http://mmbiz.qpic.cn/mmbiz_jpg/KoH4xpDrnibD7YX1ZCCF8lb0AbuFIVSU7poXdiansnDT7sEzjT815ZFFhXgcROniaeH0iaKNyIkRYibLobHdQqhUicSA/640?wx_fmt=jpeg" data-type="jpeg" data-w="1280" style="width: 100%;height: auto;"></p><p style="white-space: normal;box-sizing: border-box;"><br  /></p><p style="white-space: normal;box-sizing: border-box;">本文认为，对于民族地区乡村而言，在时间维度，文化空间生产是一个动态发展的过程，文化自觉思想应自始至终贯穿于民族地区乡村振兴全过程。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="text-align: left;letter-spacing: 0px;color: rgb(62, 62, 62);box-sizing: border-box;"><p style="box-sizing: border-box;"><strong style="box-sizing: border-box;">(2) <span style="color: rgb(171, 43, 43);box-sizing: border-box;">民族地区乡村文化生态空间开放性建设：</span>集体拥有制度</strong></p></section></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">文化生态空间开放性集体拥有制度是村民集体组织有效对抗权力和资本的途径。通过以<strong style="box-sizing: border-box;"><span style="color: rgb(55, 80, 114);box-sizing: border-box;">经济共同体、文化共同体和环境共同体等共同体利益捆绑的方式</span></strong>使村民集中形成有效的利益团体，共同参与、形成民族地区乡村文化空间开放性制度建设中一支重要的力量。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">在经济共同体组织上，</span></strong>村民基于自身资源和优势(如农林用土地资源、宅基地及劳动力专业技术特长等)，以股东的身份参与各种专业合作社的组织方式，积极争取企业(资本)，共同持有对乡村文化空间的开发实践建设表决权、建设参与权和利益分配权，建立乡村文化空间的集体拥有制度；</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">在文化共同体组织上，</span></strong>乡村的寺庙、宗族祠堂和文化艺术团体是长期以来乡村文化发展沉淀过程中形成的乡土文化团体，在乡村经济社会外向型发展过程中，逐步完善乡村文化团体的合法性地位，加强对乡村文化艺术的指导，提高其文化艺术内涵与表现性，促进乡村文化的广泛传播；</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"><span style="color: rgb(171, 43, 43);box-sizing: border-box;">在环境共同体组织上，</span></strong>以有效保护和合理利用乡村的生态环境、人文环境为目标，发挥村民的主人翁精神，形成乡村土地协会、乡村河流水体治理协会等社会组织并参与公众治理，共同监督和维护乡村生产生活环境，实现乡村经济社会的可持续发展。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-bottom: 10px;margin-left: 0%;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 8%;box-sizing: border-box;"><section style="text-align: center;margin-top: 10px;margin-bottom: 10px;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;width: 12px;height: 12px;padding: 2px;border-width: 1px;border-style: solid;border-color: rgb(255, 202, 0);transform: rotate(45deg);box-sizing: border-box;"><section style="width: 100%;height: 100%;background-color: rgb(255, 202, 0);box-sizing: border-box;"></section></section></section></section><section style="display: inline-block;vertical-align: top;width: 92%;box-sizing: border-box;"><section style="letter-spacing: 0px;box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">(3)<span style="color: rgb(171, 43, 43);box-sizing: border-box;">“一村一景”：</span>民族乡村差异化空间的守护</strong></p></section></section></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">差异化的文化空间是民族乡村有别于其他乡村的典型特征，是民族乡村文化空间中不可替代的空间类型，是民族乡村身份的标识，也是乡愁思想的核心承载，是每个乡村必须建构与守护的神圣文化空间。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">在旅游资本进入民族乡村的过程中，在文化角度，空间生产理论批判性地认识了“布景式”空间景观风貌的市场逻辑及危害，尤其是对于这种空间文化特征明显的少数民族地区，它的引入避免了均质化空间的产生，通过提出异化和日常生活批判的概念，让文化的生长土壤能够保持长久活力。</p><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p><p style="white-space: normal;box-sizing: border-box;">因此，注重对文化空间、差异化空间的分析和认知，是当前物化“一村一品”“一村一景”原真性、完整性的乡村文化振兴的理论指导。</p><p style="white-space: normal;box-sizing: border-box;"><br  /></p></section></section></section><section style="font-size: 13px;color: rgb(160, 160, 160);box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;">文章来源丨规划师杂志</p><p style="white-space: normal;box-sizing: border-box;">作者信息 | 范颖，周波，唐柳</p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;"> 投稿邮箱丨xjxtd@126.com</strong></p><p style="white-space: normal;box-sizing: border-box;"><strong style="box-sizing: border-box;">中规建业城市规划设计院   信息中心</strong></p></section><section style="box-sizing: border-box;" powered-by="gulangu"><p style="white-space: normal;box-sizing: border-box;"><br style="box-sizing: border-box;"  /></p></section><section style="margin-right: 0%;margin-left: 0%;text-align: center;box-sizing: border-box;" powered-by="gulangu"><section style="display: inline-block;vertical-align: top;box-sizing: border-box;"><section style="width: 2.5em;height: 2.5em;margin-bottom: -2.5em;border-left: 2px solid rgb(193, 193, 193);border-top: 2px solid rgb(193, 193, 193);box-sizing: border-box;"></section><section style="padding: 8px;display: inline-block;vertical-align: top;transform: rotate(0deg);-webkit-transform: rotate(0deg);-moz-transform: rotate(0deg);-o-transform: 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